I get to travel a lot for my job. So I take my camera along for drive-by photography. It seems to me that the economy in Louisiana moves East and West along I-20 and I-10. And I live in Central Louisiana. One of the recurring themes in these photographs is decaying buildings. I don’t go out of the way to find them, I have to go out of my why to find new construction. One of the things I like to imagine is what these buildings were like in their prime, with people bustling in an out of them. What kind of clothes did they wear? How did they talk? What did they eat for lunch?
I imagine this was once a thriving little grocery store. The painting makes the pain worse for me: It is fake.I thought this man was interesting. He was shuffling material from one medical building to another across the street. The crack in my windshield somehow makes this picture better. The kind of obscure photograph that you imagine a special agent gets on those old detective radio shows.Cows have a special place in my heart.“These cars always reminded me of fighter planes.” That’s what the man driving one told me once at a gas station 20 years ago. His was green though.I wonder what kind of art is produced here. I like that old chair.Something about the colors on this building speaks to me.It was exhilarating being this close to a train.This is probably my favorite picture from this week. I love this time of the morning. I imagine this is a scene from a book that you can’t put down.I love these little lizards. Anything that eats bugs can hang around my house.Name the title of the book that this could be the dust jacket for. That’s the kind of thing I think about when I am composing a shot. Another good cover for a book about a haunted house.
I don’t really want to be defined simply by what I like to do.
Strange things have been happening to me in Louisiana. I’ll introduce myself to people and then they’ll start speaking to me in French.
“Zane Wells.”
“Jean-Claude Villeramerette.”
People that speak French talk in italics.
Aside from that, I also get point blank existential questions like when the lady at the tamale stand in Zwolle glanced at my camera and asked if I was a photographer.
I said, “Well kind of, but I’m more of a writer.”
When she found out I was a writer the whole kitchen wanted me to take their picture with their blue ribbon. I obliged. I think it was a good enough picture. But I’m not sure I am a photographer. After all, I forgot to take off the lens cap twice while I was talking to these people. That’s not the kind of thing that photographer does.
I don’t really want to be defined simply by what I like to do.
I do like like taking photographs, but I’m not sure that makes me a photographer. And I haven’t made any money taking pictures, but does making money really have a bearing on your identity? I’ve done a lot of things for money that I did not enjoy. Maybe most of the things I have done for money I did not enjoy. Then there are some things I do whether I get paid or not.
A few years ago Sarah asked Miriam what she wanted to be when she grew up. She said, “A lady with pets.”
On occasion I forget my camera as I rush out the door and it bothers me nearly all day. Those are the days that I see the most interesting compositions. Like the man demolishing a water tower with an acetylene torch in Hodge, LA. It was one of those water towers with only one central column holding the whole thing up. The kind with clean flowing lines and no sharp edges, like one of those old enameled door knobs in an ancient house. The tank was halfway gone and a shower of sparks was raining down from the lift from which the man with the torch blazed away at the thick rusty metal. I would’ve liked to have had that picture. Another time recently I saw a freshly cut hayfield and about a thousand of those pure white cattle egrets swarming around the tractor which was still laying the hay down in a neat hearing-bone pattern. Oh it was glorious! I wish you could’ve seen it. The most recent composition that I missed was also in a pasture: A longhorn bull, a donkey, and a cattle egret in congress around an ancient live oak. I imagine that these were elected officials who had met together to discuss grazing rights and what to do about the interloping deer. But I missed it and I’m not sure a thousand words could let you see it.
What I really like is story telling. And photography allows you to tell a story without any words. I only really feel like a photographer when I don’t have my camera, but I feel like a writer all of the time.
Mostly From Memory 